Publications

@inproceedings{shen_gaussianshopvr_2025,

title = {GaussianShopVR: Facilitating Immersive 3D Authoring Using Gaussian Splatting in VR},

author = {Y. Shen and B. Li and J. Huang and Z. Wang},

url = {https://www.scopus.com/inward/record.uri?eid=2-s2.0-105005138672&doi=10.1109%2fVRW66409.2025.00292&partnerID=40&md5=9b644bd19394a289d3027ab9a2dfed6a},

doi = {10.1109/VRW66409.2025.00292},

isbn = {979-833151484-6 (ISBN)},

year  = {2025},

date = {2025-01-01},

booktitle = {Proc. - IEEE Conf. Virtual Real. 3D User Interfaces Abstr. Workshops, VRW},

pages = {1292–1293},

publisher = {Institute of Electrical and Electronics Engineers Inc.},

abstract = {Virtual reality (VR) applications require massive high-quality 3D assets to create immersive environments. Generating mesh-based 3D assets typically involves a significant amount of manpower and effort, which makes VR applications less accessible. 3D Gaussian Splatting (3DGS) has attracted much attention for its ability to quickly create digital replicas of real-life scenes and its compatibility with traditional rendering pipelines. However, it remains a challenge to edit 3DGS in a flexible and controllable manner. We propose GaussianShopVR, a system that leverages VR user interfaces to specify target areas to achieve flexible and controllable editing of reconstructed 3DGS. In addition, selected areas can provide 3D information to generative AI models to facilitate the editing. GaussianShopVR integrates object hierarchy management while keeping the backpropagated gradient flow to allow local editing with context information. © 2025 IEEE.},

keywords = {3D authoring, 3D modeling, Digital replicas, Gaussian distribution, Gaussian Splatting editing, Gaussians, Graphical user interfaces, High quality, Immersive, Immersive environment, Interactive computer graphics, Rendering (computer graphics), Rendering pipelines, Splatting, Three dimensional computer graphics, User profile, Virtual Reality, Virtual reality user interface, Virtualization, VR user interface},

pubstate = {published},

tppubtype = {inproceedings}

}

@inproceedings{leininger_understanding_2025,

title = {Understanding Creative Potential and Use Cases of AI-Generated Environments for Virtual Film Productions: Insights from Industry Professionals},

author = {P. Leininger and C. J. Weber and S. Rothe},

url = {https://www.scopus.com/inward/record.uri?eid=2-s2.0-105007976841&doi=10.1145%2f3706370.3727853&partnerID=40&md5=0d4cf7a2398d12d04e4f0ab182474a10},

doi = {10.1145/3706370.3727853},

isbn = {979-840071391-0 (ISBN)},

year  = {2025},

date = {2025-01-01},

booktitle = {IMX - Proc. ACM Int. Conf. Interact. Media Experiences},

pages = {60–78},

publisher = {Association for Computing Machinery, Inc},

abstract = {Virtual production (VP) is transforming filmmaking by integrating real-time digital elements with live-action footage, offering new creative possibilities and streamlined workflows. While industry experts recognize AI's potential to revolutionize VP, its practical applications and value across different production phases and user groups remain underexplored. Building on initial research into generative and data-driven approaches, this paper presents the first systematic pilot study evaluating three types of AI-generated 3D environments - Depth Mesh, 360° Panoramic Meshes, and Gaussian Splatting - through the participation of 15 filmmaking professionals from diverse roles. Unlike commonly used 2D AI-generated visuals, our approach introduces navigable 3D environments that offer greater control and flexibility, aligning more closely with established VP workflows. Through expert interviews and literature research, we developed evaluation criteria to assess their usefulness beyond concept development, extending to previsualization, scene exploration, and interdisciplinary collaboration. Our findings indicate that different environments cater to distinct production needs, from early ideation to detailed visualization. Gaussian Splatting proved effective for high-fidelity previsualization, while 360° Panoramic Meshes excelled in rapid concept ideation. Despite their promise, challenges such as limited interactivity and customization highlight areas for improvement. Our prototype, EnVisualAIzer, built in Unreal Engine 5, provides an accessible platform for diverse filmmakers to engage with AI-generated environments, fostering a more inclusive production process. By lowering technical barriers, these environments have the potential to make advanced VP tools more widely available. This study offers valuable insights into the evolving role of AI in VP and sets the stage for future research and development. © 2025 Copyright held by the owner/author(s). Publication rights licensed to ACM.},

keywords = {3-D environments, 3D reconstruction, 3D Scene Reconstruction, 3d scenes reconstruction, AI-generated 3d environment, AI-Generated 3D Environments, Computer interaction, Creative Collaboration, Creatives, Digital content creation, Digital Content Creation., Filmmaking workflow, Filmmaking Workflows, Gaussian distribution, Gaussian Splatting, Gaussians, Generative AI, Graphical user interface, Graphical User Interface (GUI), Graphical user interfaces, Human computer interaction, human-computer interaction, Human-Computer Interaction (HCI), Immersive, Immersive Storytelling, Interactive computer graphics, Interactive computer systems, Interactive media, Mesh generation, Previsualization, Real-Time Rendering, Splatting, Three dimensional computer graphics, Virtual production, Virtual Production (VP), Virtual Reality, Work-flows},

pubstate = {published},

tppubtype = {inproceedings}

}