AHCI RESEARCH GROUP
Publications
Papers published in international journals,
proceedings of conferences, workshops and books.
OUR RESEARCH
Scientific Publications
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You can expand the Abstract, Links and BibTex record for each paper.
2018
Scianna, Andrea; Gaglio, Giuseppe Fulvio; Guardia, Marcello La
BIM Modelling of Ancient Buildings Journal Article
In: Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics), vol. 11196 LNCS, pp. 344–355, 2018, (Publisher: Springer Verlag).
Abstract | Links | BibTeX | Tags: 3D Modelling, Archaeological Site, Archaeology, Architectural design, Building components, Computer aided design, Cultural heritage, Cultural heritages, Electronic data interchange, Geo-spatial, HBIM, Historic Preservation, Information Management, Information Systems, Semantics, Structural design, Surveying, Three dimensional computer graphics
@article{scianna_bim_2018,
title = {BIM Modelling of Ancient Buildings},
author = {Andrea Scianna and Giuseppe Fulvio Gaglio and Marcello La Guardia},
editor = {Wallace M. Brumana R. Fink E.},
url = {https://www.scopus.com/inward/record.uri?eid=2-s2.0-85055423142&doi=10.1007%2f978-3-030-01762-0_29&partnerID=40&md5=4803fe8c1e8d844de2a786296d5e530a},
doi = {10.1007/978-3-030-01762-0_29},
year = {2018},
date = {2018-01-01},
journal = {Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics)},
volume = {11196 LNCS},
pages = {344–355},
abstract = {In the last years, new procedures on design and management of constructions, based on 3D standardised models of building elements, have been proposed. It’s the case of Building Information Modelling (BIM) applications, that, differently from CAD ones, allow to work with libraries of 3D parametrical objects (smart objects) describing geometric, structural and material properties of building elements. This methodology is based on the Industry Foundation Classes (IFC) model, that represents a global standard for the building data exchange. Initially used for the design of new architectures, BIM methodology has been even more considered also for the management and the conservation of historical buildings, thanks to the possibilities of implementation of semantic information of 3D objects, guaranteed by the connection with the external database. At the same time, the lack of regular surfaces and standardised objects are relevant problems that nowadays strongly limit the use of BIM for Cultural Heritage (CH). Anyway, in recent times, the study of parameterised objects has opened new perspectives for BIM applications on historical buildings (HBIM). The present work shows the last achievements on this topic, focusing the problems derived from the application of BIM methodology to CH. In fact, the irregular shape of ancient architectural components, the wide variety of architectural languages that characterise historical buildings, the presence, sometimes, of different stratifications, are clear examples of the difficulties of implementing HBIM methodology for CH. © 2018, Springer Nature Switzerland AG.},
note = {Publisher: Springer Verlag},
keywords = {3D Modelling, Archaeological Site, Archaeology, Architectural design, Building components, Computer aided design, Cultural heritage, Cultural heritages, Electronic data interchange, Geo-spatial, HBIM, Historic Preservation, Information Management, Information Systems, Semantics, Structural design, Surveying, Three dimensional computer graphics},
pubstate = {published},
tppubtype = {article}
}
In the last years, new procedures on design and management of constructions, based on 3D standardised models of building elements, have been proposed. It’s the case of Building Information Modelling (BIM) applications, that, differently from CAD ones, allow to work with libraries of 3D parametrical objects (smart objects) describing geometric, structural and material properties of building elements. This methodology is based on the Industry Foundation Classes (IFC) model, that represents a global standard for the building data exchange. Initially used for the design of new architectures, BIM methodology has been even more considered also for the management and the conservation of historical buildings, thanks to the possibilities of implementation of semantic information of 3D objects, guaranteed by the connection with the external database. At the same time, the lack of regular surfaces and standardised objects are relevant problems that nowadays strongly limit the use of BIM for Cultural Heritage (CH). Anyway, in recent times, the study of parameterised objects has opened new perspectives for BIM applications on historical buildings (HBIM). The present work shows the last achievements on this topic, focusing the problems derived from the application of BIM methodology to CH. In fact, the irregular shape of ancient architectural components, the wide variety of architectural languages that characterise historical buildings, the presence, sometimes, of different stratifications, are clear examples of the difficulties of implementing HBIM methodology for CH. © 2018, Springer Nature Switzerland AG.
2017
Prescia, Renata; Scianna, Andrea
Arab-norman heritage: State of knowledge and new actions and innovative proposal Proceedings Article
In: G., Bonora V. Tucci (Ed.): International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences - ISPRS Archives, pp. 535–541, International Society for Photogrammetry and Remote Sensing, 2017, (Issue: 5W1).
Abstract | Links | BibTeX | Tags: Cataloguing, Communication strategy, Geomatics, Historic Preservation, Image Reconstruction, Information Management, Information Systems, Restoration, Restoration works, Surveying, Waypoints
@inproceedings{prescia_arab-norman_2017,
title = {Arab-norman heritage: State of knowledge and new actions and innovative proposal},
author = {Renata Prescia and Andrea Scianna},
editor = {Bonora V. Tucci G.},
url = {https://www.scopus.com/inward/record.uri?eid=2-s2.0-85020722388&doi=10.5194%2fisprs-Archives-XLII-5-W1-535-2017&partnerID=40&md5=5940db03a12f0626e2bb6455ea1443b7},
doi = {10.5194/isprs-Archives-XLII-5-W1-535-2017},
year = {2017},
date = {2017-01-01},
booktitle = {International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences - ISPRS Archives},
volume = {42},
pages = {535–541},
publisher = {International Society for Photogrammetry and Remote Sensing},
abstract = {This paper wants to offers a perlustrative recognition on the 'state of the studies', concerning to the Arab-Norman architecture of Palermo, admissed by Unesco in 2015 and explain a research in progress which, starting from re-cognition of the peculiarities of the restoration work carried out on it, consisting of the identification of authentic material-constructive values and / or reconstruction, it orients itself to develop a concrete proposal of filing for a more conscious knowledge. She, moreover, wants contribute to real enhancement through the use of targeted communication strategies that use innovative means capable, on one hand, to attracting the greatest possible number of users, on the other hand, to plan further interventions of conservation coherent with the previous data. The product that you want to achieve is that of a Bank-data that allows the "networking" of monumental emergencies, that become the virtual itineraries waypoint, which can be implemented periodically and whose boards meet the cataloging needs and documentation but with reference at geo-referred systems, compatible with the conservation and management of heritage and with need of usability, real and virtual.},
note = {Issue: 5W1},
keywords = {Cataloguing, Communication strategy, Geomatics, Historic Preservation, Image Reconstruction, Information Management, Information Systems, Restoration, Restoration works, Surveying, Waypoints},
pubstate = {published},
tppubtype = {inproceedings}
}
This paper wants to offers a perlustrative recognition on the 'state of the studies', concerning to the Arab-Norman architecture of Palermo, admissed by Unesco in 2015 and explain a research in progress which, starting from re-cognition of the peculiarities of the restoration work carried out on it, consisting of the identification of authentic material-constructive values and / or reconstruction, it orients itself to develop a concrete proposal of filing for a more conscious knowledge. She, moreover, wants contribute to real enhancement through the use of targeted communication strategies that use innovative means capable, on one hand, to attracting the greatest possible number of users, on the other hand, to plan further interventions of conservation coherent with the previous data. The product that you want to achieve is that of a Bank-data that allows the "networking" of monumental emergencies, that become the virtual itineraries waypoint, which can be implemented periodically and whose boards meet the cataloging needs and documentation but with reference at geo-referred systems, compatible with the conservation and management of heritage and with need of usability, real and virtual.
Scianna, Andrea; Guardia, Marcello La
Main features of a 3d gis for a monumental complex with an historical-cultural relevance Proceedings Article
In: G., Bonora V. Tucci (Ed.): International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences - ISPRS Archives, pp. 519–526, International Society for Photogrammetry and Remote Sensing, 2017, (Issue: 5W1).
Abstract | Links | BibTeX | Tags: Added values, Archaeological Site, Architectural element, BIM, BIM technologies, Cultural heritage, Cultural heritages, Deep knowledge, Electronic document exchange, Geographic information systems, Geographical Information Systems, Historic Preservation, History, Information and Communication Technologies, Information Management, Models, Restoration, Standardized procedure, Surveying
@inproceedings{scianna_main_2017,
title = {Main features of a 3d gis for a monumental complex with an historical-cultural relevance},
author = {Andrea Scianna and Marcello La Guardia},
editor = {Bonora V. Tucci G.},
url = {https://www.scopus.com/inward/record.uri?eid=2-s2.0-85020712128&doi=10.5194%2fisprs-Archives-XLII-5-W1-519-2017&partnerID=40&md5=803a8d6a4a1bc3751e6e2bcf3fa477cc},
doi = {10.5194/isprs-Archives-XLII-5-W1-519-2017},
year = {2017},
date = {2017-01-01},
booktitle = {International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences - ISPRS Archives},
volume = {42},
pages = {519–526},
publisher = {International Society for Photogrammetry and Remote Sensing},
abstract = {The last achievements of technologies in geomatics especially in survey and restitution of 3D models (UAV/drones andlaser scanner technologies) generated new procedures and higher standards of quality in representation of archaeological sites. Together with Geomatics, the recent development of Information and Communication Technologies (ICT) strongly contribute to document and the Cultural Heritage (CH). The representation and documentation of CH using these new technologies has became necessary in orderto satisfy different needs: -for restorers in order to acquire a deep knowledge of the cultural good and to define possible strategiesof restoration; -for the conservation of information, allowing to preserve the 3D geometry of the monumental complex with the integration of descriptions about architectural elements; -for touristic aims, giving the opportunity of sharing CH information on web, allowing users to visit and explore, in a virtual way,monumental complexes, acquiring information details about architectural elementsorthe history of monumental complex. Looking through these new scenarios, the development of a 3D Geographic Information System (GIS) applied to a cultural good could be,today,an added value of fundamental importance for full description and data managementof monumental complexes. In this work,the main features necessary for the correct construction of a 3D GIS of a monumental complex will be analyzed, with a particular focus on the possibilities for creating a standardized procedure to follow.},
note = {Issue: 5W1},
keywords = {Added values, Archaeological Site, Architectural element, BIM, BIM technologies, Cultural heritage, Cultural heritages, Deep knowledge, Electronic document exchange, Geographic information systems, Geographical Information Systems, Historic Preservation, History, Information and Communication Technologies, Information Management, Models, Restoration, Standardized procedure, Surveying},
pubstate = {published},
tppubtype = {inproceedings}
}
The last achievements of technologies in geomatics especially in survey and restitution of 3D models (UAV/drones andlaser scanner technologies) generated new procedures and higher standards of quality in representation of archaeological sites. Together with Geomatics, the recent development of Information and Communication Technologies (ICT) strongly contribute to document and the Cultural Heritage (CH). The representation and documentation of CH using these new technologies has became necessary in orderto satisfy different needs: -for restorers in order to acquire a deep knowledge of the cultural good and to define possible strategiesof restoration; -for the conservation of information, allowing to preserve the 3D geometry of the monumental complex with the integration of descriptions about architectural elements; -for touristic aims, giving the opportunity of sharing CH information on web, allowing users to visit and explore, in a virtual way,monumental complexes, acquiring information details about architectural elementsorthe history of monumental complex. Looking through these new scenarios, the development of a 3D Geographic Information System (GIS) applied to a cultural good could be,today,an added value of fundamental importance for full description and data managementof monumental complexes. In this work,the main features necessary for the correct construction of a 3D GIS of a monumental complex will be analyzed, with a particular focus on the possibilities for creating a standardized procedure to follow.
2016
Augello, Agnese; Infantino, Ignazio; Manfré, Adriano; Pilato, Giovanni; Vella, Filippo
Analyzing and Discussing Primary Creative Traits of a Robotic Artist Journal Article
In: Biologically Inspired Cognitive Architectures, vol. 17, pp. 22–31, 2016, ISSN: 2212683X.
Abstract | Links | BibTeX | Tags: Anthropomorphic Robots, Artificial intelligence, Cognitive Architectures, Computational Creativity, Creative Agents, Creative Process, Human computer interaction, Human Robot Interaction, Humanoid Robots, Information Management, Social Robots
@article{augelloAnalyzingDiscussingPrimary2016,
title = {Analyzing and Discussing Primary Creative Traits of a Robotic Artist},
author = { Agnese Augello and Ignazio Infantino and Adriano Manfré and Giovanni Pilato and Filippo Vella},
doi = {10.1016/j.bica.2016.07.006},
issn = {2212683X},
year = {2016},
date = {2016-01-01},
journal = {Biologically Inspired Cognitive Architectures},
volume = {17},
pages = {22--31},
abstract = {We present a robot aimed at producing a collage formed by a mix of photomontage and digital collage. The artwork is created after a visual and verbal interaction with a human user. The proposed system, through a cognitive architecture, allows the robot to manage the three different phases of the real-time artwork process: (i) taking inspiration from information captured during the postural and verbal interaction with the human user and from the analysis of his/her social web items; (ii) performing a creative process to obtain a model of the artwork; (iii) executing the creative collage composition and providing a significant title. The paper explains, primarily, how the creativity traits of the robot are implemented in the proposed architecture: how ideas are generated through an elaboration that is modulated by affective influences; how the personality and the artistic behavior are modeled by learning and guided by external evaluations; the motivation and the confidence evolution as a function of successes or failures. textcopyright 2016 Elsevier B.V. All rights reserved.},
keywords = {Anthropomorphic Robots, Artificial intelligence, Cognitive Architectures, Computational Creativity, Creative Agents, Creative Process, Human computer interaction, Human Robot Interaction, Humanoid Robots, Information Management, Social Robots},
pubstate = {published},
tppubtype = {article}
}
We present a robot aimed at producing a collage formed by a mix of photomontage and digital collage. The artwork is created after a visual and verbal interaction with a human user. The proposed system, through a cognitive architecture, allows the robot to manage the three different phases of the real-time artwork process: (i) taking inspiration from information captured during the postural and verbal interaction with the human user and from the analysis of his/her social web items; (ii) performing a creative process to obtain a model of the artwork; (iii) executing the creative collage composition and providing a significant title. The paper explains, primarily, how the creativity traits of the robot are implemented in the proposed architecture: how ideas are generated through an elaboration that is modulated by affective influences; how the personality and the artistic behavior are modeled by learning and guided by external evaluations; the motivation and the confidence evolution as a function of successes or failures. textcopyright 2016 Elsevier B.V. All rights reserved.
Augello, Agnese; Infantino, Ignazio; Manfré, Adriano; Pilato, Giovanni; Vella, Filippo
Analyzing and discussing primary creative traits of a robotic artist Journal Article
In: Biologically Inspired Cognitive Architectures, vol. 17, pp. 22–31, 2016, ISSN: 2212683X.
Abstract | Links | BibTeX | Tags: Anthropomorphic Robots, Artificial intelligence, Cognitive Architectures, Computational Creativity, Creative Agents, Creative Process, Human computer interaction, Human Robot Interaction, Humanoid Robots, Information Management, Social Robots
@article{augello_analyzing_2016,
title = {Analyzing and discussing primary creative traits of a robotic artist},
author = {Agnese Augello and Ignazio Infantino and Adriano Manfré and Giovanni Pilato and Filippo Vella},
url = {https://www.scopus.com/inward/record.uri?eid=2-s2.0-84994896174&doi=10.1016%2fj.bica.2016.07.006&partnerID=40&md5=1752d0c2b332853c2d79ca8b0b9c20b2},
doi = {10.1016/j.bica.2016.07.006},
issn = {2212683X},
year = {2016},
date = {2016-01-01},
journal = {Biologically Inspired Cognitive Architectures},
volume = {17},
pages = {22–31},
abstract = {We present a robot aimed at producing a collage formed by a mix of photomontage and digital collage. The artwork is created after a visual and verbal interaction with a human user. The proposed system, through a cognitive architecture, allows the robot to manage the three different phases of the real-time artwork process: (i) taking inspiration from information captured during the postural and verbal interaction with the human user and from the analysis of his/her social web items; (ii) performing a creative process to obtain a model of the artwork; (iii) executing the creative collage composition and providing a significant title. The paper explains, primarily, how the creativity traits of the robot are implemented in the proposed architecture: how ideas are generated through an elaboration that is modulated by affective influences; how the personality and the artistic behavior are modeled by learning and guided by external evaluations; the motivation and the confidence evolution as a function of successes or failures. © 2016 Elsevier B.V. All rights reserved.},
keywords = {Anthropomorphic Robots, Artificial intelligence, Cognitive Architectures, Computational Creativity, Creative Agents, Creative Process, Human computer interaction, Human Robot Interaction, Humanoid Robots, Information Management, Social Robots},
pubstate = {published},
tppubtype = {article}
}
We present a robot aimed at producing a collage formed by a mix of photomontage and digital collage. The artwork is created after a visual and verbal interaction with a human user. The proposed system, through a cognitive architecture, allows the robot to manage the three different phases of the real-time artwork process: (i) taking inspiration from information captured during the postural and verbal interaction with the human user and from the analysis of his/her social web items; (ii) performing a creative process to obtain a model of the artwork; (iii) executing the creative collage composition and providing a significant title. The paper explains, primarily, how the creativity traits of the robot are implemented in the proposed architecture: how ideas are generated through an elaboration that is modulated by affective influences; how the personality and the artistic behavior are modeled by learning and guided by external evaluations; the motivation and the confidence evolution as a function of successes or failures. © 2016 Elsevier B.V. All rights reserved.